Abstract
In written communication, with the advent of the digital age, social and online messaging often make use of symbols that not only represent animals or objects, but even claim to depict emotions through yellow faces that attempt to reproduce in a stylized manner our facial expressions. In this study, participants were asked to communicate their mood through figurative and abstract drawings: a large number of these drawings depicted symbols conventionally used in long-distance communication, such as emoji and emoticons or weather symbols. It was pointed out that, at the linguistic level, emoji/emoticons are used almost universally and standardized to communicate moods, especially positive ones. Given the massive use of weather symbols, it has been observed in the drawings that an association is given between meteorological states and moods that traces the common linguistic attribution.
References
AMALATHAN A., ANOUNCIA S.M. 2015, Social Network User’s Content Personalization based on Emoticons, «Indian Journal of Science and Technology» MMXV 8, pp. 1-5.
ARNHEIM R. 2013, Pensiero visuale, Milano-Udine (ed. or., Education of vision, New York 1965).
AZUMA J., EBNER M. 2007, A Stylistic Analysis of Graphic Emoticons: Can they be Candidates for a Universal Visual Language of the Future?, «Proceeding of World Conference on Educational Media, Hypermedia and Telecommunications» MMVIII, pp. 972-977.
BARBOSA ESCOBAR F. et al. 2021, The temperature of emotions. https://doi.org/10.1371/journal.pone.0252408 (30/6/2022 15:40)
BARRETT L. F. 2006, Solving the Emotion Paradox: Categorization and the Experience of Emotion, «Personality and Social Psychology Review» MMVI 10(1), pp. 20-46.
BERGMAN P. et al. 2014, The Pleasant heat? Evidence for thermal-emotional implicit associations occurring with semantic and physical thermal stimulation, «Cognitive Neuroscience» MMXIV 6(1), pp. 1-7.
DANESI M. 2017, The semiotics of emoji. The rise of visual language in the age of the internet, London.
DENISSEN J.J.A. et al. 2008, The Effects of Weather on Daily Mood: A Multilevel Approach, «Emotion» MMVIII 8(5), pp. 662-7.
FORNARO S. 2021, Le emozioni dei robot, l’arte, la letteratura. Qualche considerazione, «Archivi delle Emozioni» MMXXI 2(1), pp. 5-22.
GENDRON M. et al. 2014, Perceptions of Emotion From Facial Expressions Are Not Culturally Universal: Evidence From a Remote Culture, «Emotion» MMXIV 14(2), pp. 251-262.
GOZZANO N. 2020, Ri/sentire le emozioni nell’arte, fra “moti dell’animo” e Embodied simulation, «Archivi delle Emozioni» MMXX 1(2), pp. 99-116.
KANDEL E. 2016, L’età dell’inconscio. Arte, mente e cervello dalla grande Vienna ai nostri giorni, Milano (ed. or., The Age of Insight, The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present, New York 2012).
KELLER M. C. et al. 2005, A warm heart and a clear head: The contingent effects of weather on mood and cognition, «Psychological Science» MMV 16(9), pp. 724 –31.
LAKOFF G. e JOHNSON M. 1980, Metaphors we live by, Chicago.
LUCHT M. J. E KASPER S. 1999, Gender differences in seasonal affective disorder (SAD), «Archives of Women’s Mental Health» MCMXCIX 2, pp. 83– 89.
MARKS L.E. 1996, On Perceptual Metaphors, «Metaphor and symbolic activity» MCMXCVI 11(1), pp. 39-66.
NOELKE C. et al. 2016, Increasing Ambient Temperature Reduces Emotional Well-Being, «Environmental Research» MMXVI 151, pp. 124-129.
NOVAK P. K. et al. 2015, Sentiment of Emojis. https://www.researchgate.net/publication/282270290_Sentiment_of_Emojis (28/11/2023 20:10)
O’NEILL B. 2013, Mirror, mirror on the screen, what does all this ASCII mean?: A pilot study of spontaneous facial mirroring of emoticons, «The Arbutus Review» MMXIII 4(1), pp. 19-44.
PLUTCHIK R. 1995, Psicologia e biologia delle emozioni, Torino (ed. or., The Psychology and Biology of Emotion, New York 1994).
RUSSELL J.A. e FERNÁNDEZ-DOLS J. M. (a cura di) 1998, Psicologia delle espressioni facciali, Trento (ed. or., The psychology of facial expression, Cambridge 1997).
VESZELSKI Á 2012, Connections of Image and Text in Digital and Handwritten Documents, «The Iconic Turn in Education, Visual Learning 2» MMXII, pp. 97-110.
WATSON, D. 2000, Mood and temperament, New York.
YUASA M. et al. 2011, Brain Activity When Reading Sentences and Emoticons: An fMRI Study of Verbal and Nonverbal Communication, «Electronics and Communications in Japan» MMXI 94 (5), pp. 17-24.
SITOGRAFIA
Informazioni e statistiche sull’uso delle emoji su https://emojipedia.org (3/7/2022 16:42)
Informazioni su Shigetaka Kurita su https://moma.org/collection/works/196070 (3/7/2022 16:42)
Informazioni sulle emoji su https://www.unicode.org/emoji/ (3/7/2022 16:43)
Informazioni su Scott Fahlman su https://www.cs.cmu.edu/~sef/Orig-Smiley.htm (3/7/2022 16:41)

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright (c) 2024 Archivi delle emozioni