A Study in Red: Erubescence explored through Achilles Tatius, Longus, and Greek scientific literature
Archivi delle emozioni v5/n2/2025
PDF

Keywords

Blush
Erubescence
Galen
Achilles Tatius
Greek novel

How to Cite

van Egdom, C. (2026). A Study in Red: Erubescence explored through Achilles Tatius, Longus, and Greek scientific literature. Archivi Delle Emozioni, 5(2), 69-92. https://doi.org/10.53235/2036-5624/254

Abstract

Approaching erubescence in Longus’ and Achilles Tatius’ novels as physiological processes, combined with a close reading of Galen and Aristotle, provides a better understanding of what it meant to have one’s skin turn red in the Greek novels. The blusher’s awareness in social situations is expressed through the concept of a classic blush, closely tied to Konstan’s notion of shame, as seen in Achilles Tatius. Where this awareness is absent, as in Longus, erubescence functions as an involuntary physiological response, reflecting the body’s reaction to psychological processes as a natural instinct. Examining ancient scientific terminology of erubescence, re-contextualises these cases, allowing for a deeper understanding of their role in their respective narratives. In Longus, erubescence reflects how characters’ bodies are affected by their emotional experience, while in Achilles Tatius, it highlights social rules in morally ambiguous settings. Achilles adds irony and realism by focusing on characters’ awareness of their faux pas, whereas Longus inverts this awareness to emphasise the role of physis, building on Zeitlin’s seminal work

https://doi.org/10.53235/2036-5624/254
PDF

References

Ahonen M. 2017, Galen on Sexual Desire and Sexual Regulation, «Apeiron» 50(4), pp. 449-481.

Bekker I. 1960, Aristotelis opera, Berlin.

Bowie E. 2019, Longus. Daphnis and Chloe, Cambridge.

Cairns D. 2013, A short history of shudders, in A. Chaniotis, P. Ducrey (eds.), Unveiling Emotions II, Stuttgart, pp. 85-107.

Cairns D. 1993, Aidôs: The Psychology and Ethics of Honour and Shame in Ancient Greek Literature, Oxford.

Cairns D. 2016, Mind, body, and metaphor in Ancient Greek Concepts of Emotion, «L’Atelier du centre de recherche historique» 16.

Chew K. 2000, Achilles Tatius and Parody, «The Classical Journal» 96 (1), pp. 57-70.

Chew K. S. 2014, Achilles Tatius, Sophistic Master of Novelistic Conventions, in E. P. Cueva, S. N. Byrne (eds.), A Companion to the Ancient Novel, Oxford, pp. 62-75.

Crozier W. R., De Jong P. J. (eds.) 2012, The Psychological Significance of the Blush, Cambridge.

Daude C. 2009, Aspects Physiques et Psychiques des Passions chez Achille Tatius, in B. Pouderon, C. Bost-Pouderon (eds.), Passions, Vertus et Vices dans l’Ancien Roman, Lyon, pp. 185-208.

De Lacy P. H. 1978, Galen. On the doctrines of Hippocrates and Plato, Berlin.

De Temmerman K. 2007, Blushing Beauty: characterizing blushes in Chariton’s Callirhoe, «Mnemosyne» 60(2), pp. 235-252.

Drummond P. D. 2012, Psychophysiology of the blush, in W. R. Crozier, P. J. de Jong (eds.), The Psychological Significance of the Blush, Cambridge, pp. 15-38.

Duerr H. P. 1988, Nacktheit und Scham. Der Mythos vom Zivilisationsprozeß, Frankfurt.

Effe B. 1999, Longos: Towards a History of Bucolic and its Function in the Roman Empire, in S. Swain (ed.), Oxford Readings in the Greek Novel, Oxford.

Evans E. 1945, Galen the Physician as Physiognomist, «Transactions and Proceedings of the American Philological Association» 76, pp. 287-298.

Garnaud J. P. 1991, Achille Tatius d’Alexandrie. Le Roman de Leucippé et Clitophon, Paris.

Gaselee S. 1969, Achilles Tatius. Leucippe and Clitophon, Loeb Classical Library 45, Cambridge, MA.

Gill C. 1989, Longus. Daphnis and Chloe, in B. P. Reardon (ed.), Collected Ancient Greek Novels, Berkeley, pp. 285-348.

Henderson J. 2009, Longus: Daphnis and Chloe. Xenophon of Ephesus: Anthia and Habrocomes, Loeb Classical Library 69, Cambridge, MA.

Hunter R. 1983, A Study of Daphnis and Chloe, Cambridge.

King D. 2012, Taking It Like a Man: Gender, Identity and the Body in Achilles Tatius’ Leucippe and Clitophon, in M. P. Futre Pinheiro, M. B. Skinner, F. I. Zeitlin (eds.), Narrating Desire: Eros, Sex, and Gender in the Ancient Novel, Berlin, pp. 147-158.

Konstan D. 2003, Shame in Ancient Greece, «Social Research: An International Quarterly» 70(4), pp. 1031-1060.

Konstan D. 2006, The Emotions of the Ancient Greeks: Studies in Aristotle and Classical Literature, Toronto.

Kühn C. G. 1821–1833, Claudii Galeni Opera Omnia, Leipzig.

Lateiner D. 1998, Blushes and Pallor in Ancient Fictions, «Helios» 25(2), pp. 163-189.

Leary M. R., Toner K. 2012, Psychological theories of blushing, in W. R. Crozier, P. J. de Jong (eds.), The Psychological Significance of the Blush, Cambridge, pp. 63-76.

LeVen P. A. 2024, Before, Beneath, Beyond Emotions, in E. Greensmith (ed.), The Cambridge Companion to Ancient Greek Epic, Cambridge, pp. 297-317.

Lowe W. D. 1908, The Story of Daphnis and Chloe, Cambridge.

McCail R. 2002, Longus. Daphnis and Chloe, Oxford.

McLeod A. 1969, Physiology and Medicine in a Greek Novel: Achilles Tatius’ Leucippe and Clitophon, «The Journal of Hellenic Studies» 89, pp. 97-105.

Minio-Paluello L. 1966, Aristotelis Categoriae et Liber de Interpretatione, Oxford.

Morgan J. R. 2004, Longus. Daphnis and Chloe, Oxford.

Nikolić M. et al. 2024, The blushing brain: neural substrates of cheek temperature increase in response to self-observation, «Proceedings of the Royal Society B: Biological Sciences» 291 (2027).

Papadimitropoulos L. 2015, Erotic transgression and knowledge in Achilles Tatius’ Leucippe and Clitophon, «Quaderni Urbinati di Cultura Classica. Nuova serie» 110(2), pp. 153-173.

Reardon B. P. 1994, Achilles Tatius and ego-narrative, in J. R. Morgan, R. Stoneman (eds.), Greek Fiction. The Greek Novel in Context, New York, pp. 80-96.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright (c) 2026 Archivi delle emozioni